I saw a lot of hype for Hulu’s adaptation of The Handmaid’s Tale, a 1985 dystopian novel written by Margaret Atwood. The production was praised for being timely as well as high quality and the premise sounded interesting, so when I signed up for hulu, I decided to watch it.
In the wake of a series of terrorist attacks, a religious inspired military dictatorship has taken over North America, which is now called The Republic of Gilead. Offred (Elisabeth Moss), a member of a class of women known as “handmaids” who are forced to bear children for barren families, lives with Commander Waterford (Joseph Fiennes) and his jealous and vicious wife, Serena Joy (Yvonne Strahovski). She once had a husband, a daughter, and a job but now lives in world where women’s rights have been taken away and she is treated as breeding stock. Despite being a world where men have all the power, it is the women who steal the show. Elisabeth Moss is brilliant as the relatable everywoman, Offred, who decides that she has had enough (as one of the show’s slogans says “she will bare no more”). Yvonne Strahovski is both frightening and sympathetic as the ice queen Serena Joy. Alexis Bledel and Madeline Brewer play the small but haunting roles of Ofglen and Janine: a lesbian handmaid who receives a genital mutilation because of her sexual orientation and a mentally unstable handmaid who finally loses it after her child is taken away. Both are two of the shows most resonant scenes.
Part of the reason why the story is so scary is because it taps into fears women have: having their children taken away from them (the reason why Offred and the other handmaids have been chosen is because they have been able to bare children in the past) and being stripped of all their rights and self respect. I agree that this series is timely in a climate of terrorist attacks and conservative backlash. Offred’s “we didn’t wake up” speech is particularly chilling. It is not a great series but also, perhaps, and important one.